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Manuel Méndez Ballester (4 August &#; 23 January ), born in Aguadilla, Puerto Rico, was a writer who also worked in journalism, radio broadcasting, television and teaching.

Life and career[edit]

Manuel Méndez Ballester was born in Aguadilla, Puerto Rico, in , where he was raised and received his primary education. Relocating to New York in his teens, he initiated secondary schooling, but upon his return to Puerto Rico, continued his studies on his own. While still in his adolescence, and due to economic urgency, he begins to work as a clerk in several commercial houses of Aguadilla and San Juan. He later served in the offices of the District Court of Aguadilla. His next profession was as the Administrator of the Central Coloso sugar cane refinery, a task that allows him first hand account of the social life, customs and problems of the sugar cane workers. This association and knowledge would prove of great value for the development of his literary role as a dramatist.

Méndez Ballester began to participate in and became fond of local theater productions, and by , his journalistic ventures led him to be collaborator and then editor of Atalaya y Letras, a local cultural periodical in Aguadilla.

Méndez Ballester enrolled at the University of Puerto Rico, Rio Piedras Campus, seeking to become a lawyer, but before finalizing the first year of studies he dropped out to pursue a career in radio programming for the Department of Public Education. He returned to the university in as an evaluator and assessor of teachers for workers whom the Administration of Reconstruction of Puerto Rico sponsored.

Isla Cerrera, written in , was his first novel, and was a historical view of the early days of Spanish colonization. El Clamor de Los Surcos,^[1] his first popular play in , received high accolades by Ateneo Puertorriqueño. His classic tragedy in three acts, Tiempo Muerto, premiered in This is considered to be his masterpiece and the one most associated with Méndez Ballester. It is set in the sugar cane fields of Aguadilla and deals with the workers during the off season or "dead time," thus the title.^[2]

In he organized la Sociedad General de Autores (General Society of Authors) with whom he presented two new drama works: Hilaricón in , and Nuestros Días in He then developed a more comical than satirical style with his El Misterio del Castillo in , Un Fantasma Desentito in , the farce Es de Vidrios la Mujer in , and El Curioso Impertinente. In he wrote Encrucijada, and El Milagro in , followed by La Feria o El Mono con la Lata en el Rabo (). In he wrote Bienvenido Don Goyito, ^[3]a popular play which is still revered today.^[4] In he published Arriba las Mujeres, in , the dramatic piece La Invasión, ó Jugando al Divorcio and in back to comedy with Los Cocorocos.

Méndez Ballester was interested in politics and became a senator for the city of San Juan, and upon his retirement from politics dedicated himself to become Puerto Rico's foremost dramatist and man of letters. He died on January 23, There was a solemn funeral in his parents' native town of San Sebastián, then a procession to Aguadilla, where there was a service at the Inter American University, where he had donated all his literary papers and historical documents to a library named in his honor.

Luz Odilia Font[edit]

Mendez Ballester is credited with discovering the talents of a young actress, his then neighbor in San Juan, the also San Sebastian native Luz Odilia Font.^[5]

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