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Malibu (album)
Malibu is the second studio album by American singer Anderson Paak. It was released on January 15, , by ArtClub International, Empire Distribution, OBE and Steel Wool Records following the release of his EP, Link Up & Suede, with Knxwledge (credited as the duo, NxWorries).
Malibu was supported by four singles: "The Season / Carry Me", "Am I Wrong", "Room in Here" and "Come Down". The album received widespread critical acclaim, placing highly on several music critics' end-of-year lists. It received a Grammy nomination for Best Urban Contemporary Album.
Background[edit]
The album is described as the beginning of his potential commercial breakthrough, following his prominent role on Dr. Dre's album Compton (). Paak is featured on six songs on Compton, including "Animals". The track was produced by DJ Premier. Although, the track was initially slated for his album, Malibu. Dr. Dre later approved to have the track featured on his album Compton.[1]
Singles[edit]
The album's lead single, "The Season / Carry Me", was released on November 8, [2]
The album's second single, "Am I Wrong", was released on November 9, The song features a guest appearance from American rapper Schoolboy Q.[3]
The album's third single, "Room in Here", was released on December 9, The song features guest appearances from American rapper The Game and American singer Sonyae Elise.[4]
The album's fourth single, "Come Down", was released on January 9, [5] The song was listed as the 44th best song of by Pitchfork.[6]
Critical reception[edit]
Malibu was met with widespread critical acclaim. At Metacritic, the album received an average score of 85, based on 18 reviews.[8] Aggregator AnyDecentMusic? gave it out of 10, based on their assessment of the critical consensus.[7]
Andy Kellman of AllMusic said, "Compared to the impressive and occasionally brilliant Venice, this album's mix of high and hard times has deeper resonance."[9] Alejandra Ramirez of The Austin Chronicle said, "There's effortless, unhurried groove as he slides from the disarming grit of Nineties hip-hop in "Without You" to Sixties soul on "The Bird" and honey-dripped R&B with "Am I Wrong"."[10] Michael Madden of Consequence of Sound said, "For its lyrical and musical scope, Malibu brings to mind a number of excellent albums, ranging from Stevie Wonder's Innervisions to, yes, Kendrick Lamar's To Pimp a Butterfly."[11] Kyle Anderson's review for Entertainment Weekly states that "Malibu defies categorization," attributing that to .Paak's "versatility and his willingness to take detours, not all of which work." Anderson calls "Silicon Valley" "well-meaning but dopey," but praises "Am I Wrong" as "the best Outkast song since that pair folded."[12]
Erin Lowers of Exclaim! said, "A rose from concrete, Malibu offers a sense of wonder that's carefully rooted in funk and soul, and presents a complete vision from a blossoming new artist that's not only fearless, but leading something of a sonic revolution."[19] Jon Caramanica of The New York Times said, "Malibu—his second album under this moniker, following a stretch under the name Breezy Lovejoy—is multilayered. It's also incisive, languorous and deeply felt, a warm bath of studiously relaxed hip-hop and soul."[20] Dami Solebo of PopMatters said, "The reason for this broad interest is his ability to aptly infuse various musical styles under the R&B umbrella. Moreover, his ability to make uptempo soul without losing his ability to invoke a response more typical of downtempo sounds is particularly impressive."[21] Steve Yates of Q magazine stated, "On the rich and dazzling Malibu, Anderson .Paak has truly found his voice."[15]
Pitchfork's Marcus J. Moore awarded the album with a Best New Music rating, drawing comparisons between Paak and Kendrick Lamar, writing that "much like Kendrick Lamar, .Paak skillfully depicts his surroundings while remaining in the foreground" and that ".Paak's quicksilver flow on "Your Prime" feels teleported in directly from To Pimp a Butterfly as the music flows expansively from creamy soul harmonies to trap cadences."[14] Sheldon Pearce of Spin said, "The tonal palette is warm and lush, with a transporting quality that's twofold, sending the listener both to the artist's western locale and back in time."[17]The Wall Street Journal calls it an improvement on his previous album Venice, stating "on the new disc, Paak combines his varied interests into something familiar yet distinctive, bringing old-school R&B into the moment with his voice"[22] Christopher M. Weingarten of Rolling Stone said, "The music isn't always as dynamic as his thoughts, opting for a mostly mellow mood that matches the LP's carefree samples of surfing documentaries, but doesn't always capture their freewheeling individuality."[16]
Accolades[edit]
Track listing[edit]
Sample credits
Personnel[edit]
Album credits adapted from Malibu digital booklet.[37]
- Anderson Paak – lead artist, production (tracks 1, 5, 8, 15), drums (tracks 2, 12), background vocals (tracks 2, 9, 12)
- BJ the Chicago Kid – feature vocal (track 3)
- Schoolboy Q – feature vocal (track 6)
- Rapsody – feature vocal (track 7)
- The Free Nationals United Fellowship Choir – featured artist (track 9)
- The Game – feature vocal (track 10)
- Sonyae Elise – feature vocal (track 10)
- Talib Kweli – featured artist (track 16)
- Timan Family Choir – featured artist (track 16)
- DJ Khalil – production (tracks 2, 12)
- Madlib – production (track 3)
- 9th Wonder – production (tracks 4, 7)
- Matthew "Callum Connor" Merisola – production (tracks 4, 16), mixing (track 16)
- Pomo – production (track 6)
- Jose Rios – production (track 8), guitar (tracks 1, 5, 8, 15)
- Kaytranada – production (track 9)
- Like – production (track 10)
- Chris Dave and the Drumhedz – production (track 11)
- Hi-Tek – production (track 13), mixing (track 13)
- Dem Jointz – production (track 14), mixing (track 14), recording (track 14)
- Vicky Farewell Nguyen – production (track 15), keys (tracks 8, 15), background vocals (track 9)
- Ron Avant – piano (tracks 1, 8, 15), vocoder (track 11)
- Kelsey Gonzalez – bass (tracks 1, 5, 8, 15), background vocals (track 9), guitar (track 14)
- Julian Le – strings (tracks 1, 5)
- Sam Barsh – keyboards (tracks 2, 12)
- Daniel Seeff – bass and guitar (tracks 2, 12)
- Emile Martinez – trumpet (track 1)
- Brasstracks – horns (track 6)
- Ann One – background vocals (track 9)
- Robert Glasper – keys (track 11)
- Pino Palladino – bass (track 11)
- Isaiah Sharkey – guitar (track 11)
- Olivia Braga – background vocals (track 12)
- Cameron Brown – guitar (track 13)
- Brian Cockerham – bass (track 13)
- Paris Timan – background vocals (track 16)
- Milan Timan – background vocals (track 16)
- Deja Timan – background vocals (track 16)
- Marlon Bills – background vocals (track 16)
- Ronald Timan – background vocals (track 16)
- Adrian L. Miller – executive producer[38]
- Ketrina "Taz" Askew – executive producer
- Kevin Morrow – executive producer
- Chris Plata – mixing
- Jared Hirshland – mastering
- Erik Ian – photography
- Dewey Saunders – artwork
- Cory Gomberg – creative direction
Charts[edit]
References[edit]
- ^Peters, Mitchell; Martins, Chris (January 31, ). "Anderson .Paak Signs With Dr. Dre's Aftermath". Billboard. Archived from the original on November 22, Retrieved December 4,
- ^"The Season / Carry Me – Single by Anderson .Paak on Apple Music". iTunes Store. Archived from the original on September 14, Retrieved September 14, CS1 maint: BOT: original-url status unknown (link)
- ^"Am I Wrong (feat. ScHoolboy Q) – Single by Anderson .Paak on Apple Music". iTunes Store. Archived from the original on September 14, Retrieved September 14, CS1 maint: BOT: original-url status unknown (link)
- ^"Room in Here (feat. The Game) – Single by Anderson .Paak on Apple Music". iTunes Store. Archived from the original on September 14, Retrieved September 14, CS1 maint: BOT: original-url status unknown (link)
- ^Walker, Angus (January 9, ). "Anderson .Paak – Come Down (Prod. By Hi-Tek)". HotNewHipHop. Archived from the original on September 14, Retrieved September 14,
- ^"The Best Songs of ". Pitchfork. December 12, Retrieved October 18,
- ^ ab"Malibu by Anderson .Paak reviews". AnyDecentMusic?. Archived from the original on May 13, Retrieved November 1,
- ^ ab"Reviews for Malibu by Anderson .Paak". Metacritic. Archived from the original on January 18, Retrieved January 23,
- ^ abKellman, Andy. "Malibu – Anderson .Paak". AllMusic. Archived from the original on January 24, Retrieved November 16,
- ^ abRamirez, Alejandra (March 18, ). "Anderson .Paak & the Free Nationals / Milo: Malibu (Steel Wool/OBE) / So the Flies Don't Come (Ruby Yacht/The Order Label)". The Austin Chronicle. Archived from the original on March 20, Retrieved March 18,
- ^ abMadden, Michael (January 19, ). "Anderson .Paak – Malibu". Consequence of Sound. Archived from the original on January 21, Retrieved January 19,
- ^ abAnderson, Kyle (January 14, ). "Anderson Paak's Malibu: EW review". Entertainment Weekly. Archived from the original on January 17, Retrieved January 14,
- ^Carroll, Jim (January 28, ). "Anderson .Paak – Malibu review: old-school hip-hop enters a new hinterland". The Irish Times. Archived from the original on January 30, Retrieved January 28,
- ^ abMoore, Marcus J. (January 11, ). "Anderson .Paak: Malibu". Pitchfork. Archived from the original on January 12, Retrieved January 11,
- ^ abYates, Steve (April ). "California Dreamin'". Q ():
- ^ abWeingarten, Christopher R. (January 27, ). "Malibu". Rolling Stone. Archived from the original on April 22, Retrieved April 25,
- ^ abPearce, Sheldon (January 15, ). "Review: Anderson .Paak More Than Makes Up for Lost Time on 'Malibu'". Spin. Archived from the original on January 17, Retrieved January 15,
- ^Christgau, Robert (March 18, ). "West Coast Warriors: Expert Witness with Robert Christgau". Vice. Archived from the original on April 14, Retrieved April 25,
- ^Lowers, Erin (January 22, ). "Anderson .Paak Malibu". Exclaim!. Archived from the original on May 10, Retrieved November 30,
- ^Caramanica, Jon (January 20, ). "Review: On 'Malibu' Anderson .Paak Takes In All That His Surroundings Offer". The New York Times. Archived from the original on February 7, Retrieved November 30,
- ^Solebo, Dami (January 25, ). "Anderson Paak: Malibu". PopMatters. Archived from the original on December 31, Retrieved November 30,
- ^"'Malibu' by Anderson Paak Review". The Wall Street Journal. Archived from the original on January 14, Retrieved January 15,
- ^"The 50 Best Albums of ". Complex. December 5, Retrieved December 5,
- ^"Top 50 Albums of ". Consequence of Sound. November 27, Archived from the original on December 1, Retrieved December 4,
- ^"The 50 best albums of ". Fact. Archived from the original on December 15, Retrieved December 22,
- ^"The Best Albums of ". The Guardian. November 30, Archived from the original on March 15, Retrieved November 30,
- ^"Best Albums of ". The Independent. November 30, Archived from the original on December 1, Retrieved December 1,
- ^"NME's Albums of the Year ". NME. November 24, Archived from the original on April 25, Retrieved November 24,
- ^"The 50 Best Albums of ". Paste. November 30, Archived from the original on December 1, Retrieved December 1,
- ^"The 50 Best Albums of ". Pitchfork. Archived from the original on December 13, Retrieved December 13,
- ^"Albums of the Year". Rough Trade. November 14, Archived from the original on November 16, Retrieved November 15,
- ^"Top 50 Albums of ". The Skinny. December 1, Archived from the original on December 2, Retrieved December 4,
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